| I. The Silent Era |
| 1 |
Porter, The Great Train Robbery
Griffith, A Beast at Bay, Lonely Villa, The Lonedale Operator, Musketeers of Pig Alley
|
(PDF 1)
(PDF 2)
|
| 2 |
Keaton, One Week, Cops, The General
|
(PDF 1)
(PDF 2)
|
| 3 |
Chaplin, The Immigrant, Easy Street, Modern Times
|
(PDF 1)
(PDF 2)
|
| 4 |
Murnau, The Last Laugh |
(PDF 1)
(PDF 2)
|
| II. Hollywood Genres |
| 5 |
Capra, It Happened One Night |
(PDF 1)
(PDF 2)
|
| 6 |
Hitchcock, Shadow of a Doubt |
(PDF 1)
(PDF 2)
|
| 7 |
Donen/Kelly, Singin' in the Rain |
(PDF 1)
(PDF 2)
|
| 8 |
Ford, The Searchers |
(PDF 1)
(PDF 2)
|
| 9 |
Altman, McCabe and Mrs. Miller
Fosse, Cabaret
|
(PDF 1)
(PDF 2)
|
| III. International Masters |
| 10 |
Renoir, Grand Illusion |
(PDF 1)
(PDF 2)
|
| 11 |
DeSica, Bicycle Thieves |
(PDF 1)
(PDF 2)
|
| 12 |
Truffaut, The 400 Blows
Summary Perspectives: Film as Art and Artifact
|
(PDF) |